Experience Enhances Art Culture Identity? A Correlative Research on Aboriginal Culture Events and Images of Travelers
نویسنده
چکیده
Before the Han Chinese immigration began in the mid-1600s, Taiwan was inhabited by people belonging to the Austronesian race, the members of which lived in a vast area extending from Madagascar in the west to Hawaii and Easter Island in the east, and from New Zealand in the south to Taiwan in the north. Taiwan's aborigines are believed to have come from the Malay archipelago in different waves about 6,000 years ago at the earliest and less than 1,000 years ago at the latest. Since their languages are very different--more varied than those of the Philippines--some scholars suggest that Taiwan is the original homeland of all Austronesians. Archeological findings indicate that Taiwan had been inhabited by other people before the current aborigines came. In order to preserve the aborigines in Taiwan, central and local governments are aggressive to promote and extend those aboriginal commodities which stand for unique national culture. The central government tries continuously to incubate aborigine artists, works, and preserve culture for these years; the locals, they budget aborigines subsidy to hold cultural activities to create tourism industry, for example, the annual Harvest Festivals. In recent years, this strategy has been succeed in promoting domestic residents and foreign tourists commercial values and creating cultural identify with Taiwanese residents. The research finds those who owned traveling experience in aboriginal parks, or villages, are with stronger motivation to accept aboriginal culture. They will be motivated to purchase aboriginal commodities, or enhanced to concern future aboriginal culture. The method of cultural value created is not only impressed by images, but is to experience aboriginal culture to develop individual purchasing motivation. A lot of critical factors will influence customers to accept aboriginal culture, and believe they are special and unique.
منابع مشابه
A Comparative Study on Pop, Elite and Folk Art
Pop Art is the representative of a cultural identity that has been represented as a kind of art in the mid-twentieth century. It is based on the ordinary manifestations of people’s lives, and by concentrating on media and propaganda it has become pervasive in a short time as if it is a newly emerged culture that has appeared not from the inside of community but from outside and by those sociol...
متن کاملStandardisation and the Question of Identity: On The Dominant Discourses on Contemporary Iranian Art
This article deals with the discourse of cultural globalisation and related issues such as the global market and cultural industry, which emerged as recent seminal factors within the context of Iranian culture, art and artistic practice during the recent history of Iran. Moreover, it seeks to explore the inevitable issues drawn from the process of globalisation, namely the forces of standar...
متن کاملTopographic - based Model of the Creative Art through Revolutionary Culture in Iran
If we accept this idea that in talking about art, there is a chasm between thought and unthought debating on art theory in the sociohistorical context of after revolutionary Iran requires at least two items in which understanding and creating art meet one another: 1) Art as door separates intelligible from sensible, rational from irrational, and logos from pathos as well and 2) Art as brid...
متن کاملAndrews and Buggey’s Authenticity Theory and Public Library's Role in Preserving and Safeguarding Iran's Aboriginal Cultural Landscapes
Purpose: Authenticity in cultural landscapes integrates our identity with land, aboriginals, symbols, values and also aboriginals’ believe system. Public libraries are assumed to play an important role in preserving this authenticity. The purpose of this study was to test this presumption on the bases of viewpoints of central and local managers at Iran Public Libraries Organization. Method: Th...
متن کاملEventfulness, Event Modalities, and the Dilemma of Using Outdoor Events as a Public Realm Revitalization Initiative (Case Study: Shiraz, Iran)
Shiraz, with its historical background, known as the capital of the Persian culture, once experienced a boom of international culture-led events using outdoor spaces as event venues. However, its outdoor vibrancy has withered gradually, and the use of public places as venues declined. Despite the existing dilemmas, a new wave of public place reclamation has created a strong trend towards using ...
متن کامل